All posts tagged: Deborah Newton

Full-on Indulgence including Runway Revisit, 2018

If you are a follower of VKL (Vogue Knitting Live), you may be aware that this event in NYC is historically held in January.  After travel debacle of December, I was fully aware January could prove the same.  JetBlue, however served its travelers well, weather cooperated, and I found myself at VKL NYC 2018 in good form. Having attended the event before, I knew what to expect but wanting to make something new of the occasion, I chose to volunteer at the event.  That immediately changed the dates of travel due to a volunteer meeting held on the Wednesday evening before.  It also meant two glorious extra days in the city and lots of decision-making on how to spend that time. When the weekend was all said and done, as in all travel, there were certain moments, expected and otherwise, that stand out, so with this post, those are the moments I will highlight. Wednesday ~ easy travel.  With room readily available and map in hand, I settled in for my stay and planned where …

Honeycomb Slip Stitch

Last year, The Knitting Guild of Greater Buffalo brought in designer, Heather Lodinsky, to teach a skill on one of her designs.  The pattern was her two-tone slip stitch cable pullover and the skill was using slip stitches in cable work.  In my experience in knitting, I had not encountered slip stitches to be used for the design of a garment, only to be done along the edges of knitted pieces.  So, I was quick to take on the pullover with the Guild and it led me to do a self-investigation of slip stitches, in general. ON SLIP STITCH STUDY One way to choose a pattern is to have specific learning intentions in mind.  With this ‘study’, I purposely looked for patterns that used slipped stitches and and used those slipped stitches in  the design process.  This kind of focus not only informs, but also helps to narrow the field of potentials.  My curiosity is now satisfied and this is what I’ve found: Slip stitches can be used as a variation to the basic cable technique.  More [HERE] about this project. Slip …

Renaissance

One of my goals as I entered into retirement was to knit from my stash.  The stash I am talking about includes patterns I have loved and collected over time and/or the bundles of yarn that were purchased at a time when I thought I could knit a particular project.  I suppose enthusiasm outweighs time, at least that is my case, so in my new state of retirement, I am addressing this.  This project is an example of that.  I don’t even know where I first saw this pattern as I do not subscribe to Interweave Knits but I have been following Teva Durham, the creative designer since being aware of her work through Vogue Knitting.  The pattern is called Renaissance Tunic, as you will see, for obvious reasons.  And, I am thrilled to finally be adding this to my wardrobe.

Fretwork but Fret Not (1 of 2)

If you were to read the notes of knitters who have tackled this project, Fretwork designed by Shiri Mor, you would be struck by a few common strands of thinking.  The first common thread is one of curiosity over the sweater’s construction.  I was no different.  In viewing the pattern, you can see how initially it looks like a cabled sweater but then looking more closely you see detached cords that are woven so of course, curiosity sets in as you wonder how in the world does one knit that? And, then the conversations take a turn to the fit of this garment.   Some say to knit a size with “negative ease” while others suggested knitting a size larger.  Others were frankly honest about their end product not fitting at all.  Well, I do not know what negative ease is and I can’t take a chance on randomly knitting a size up.  Why would you not knit your size?  What I mostly made of these comments was that it was of utmost importance to pay particular attention to the finished size of this garment and that how it fit was …

Two Shout Outs

As a soon-to-be retiree, I am beginning to open my ears and eyes to life after employment.  When I spotted this opportunity with Deborah Newton, I just had to write about it.  I am so in love with her as a knitter due to her pristine attention to detail, especially in the finishing touches of a garment.  And, you see these touches written up in her patterns.  So, when following her advice, your finished garment has an air of professionalism that you do not see in every design and you notice in the fit and wearing. Following her over the years, both with knitting patterns and as an author, I highly recommend this destination experience, above.

A Guide on Gauge

I am not sure if this post ought to be called A Guide on Gauge or Gauge Guiding.  In either case, I have become a huge fan of knitting up gauges!   To the uninformed, the process of taking time to work up a gauge might seem like an unnecessary and/or optional step in working up a hand knit.

From A-symmetric to Z-ipper

Funny, when I receive a new Vogue Knitting magazine, I tend to have two emotions.  The first is, of course, excitement as anyone who follows my knitting knows that I believe VK stands well above any other publication for outstanding knitting fashion, photography, and inspiration.  The other emotion I notice is fear.  I hear myself saying, “Oh, No!!  How many of these projects am I going to fall in love with?”  With an already extended stash and plans for far too many projects in the future, it is frustrating feasting my eyes on more. The projects in this particular issue, Vogue Knitting, Collector’s Issue Holiday 2011 were posted with an alphabetical theme.